Margherita Lipinska
                                Painter and decorator, lives and works in Rome
                                 www.facebook.com/margherita.lipinska
                                Born in 1964 in Poland, in 1989 she degrees to the Art Accademy of Danzica in Painting.
                                In 1991 she lives in Rome as professional painter.
                                
                                TECHNIQUE
                                Artworks of large size made with acrilyc colors on jute canvas with material intonations, often without chassis to enhance 
                                the softness of the canvas that seems to be a tapestry.
                                THEME
                                The presence of the classical sculptures' pictures is the starting point for dialogue with the spectator through a familiar 
                                picture language.
                                It is a survey of time and common past, with the awareness of belonging to occidental culture that creates a reassuring ground 
                                in front of the present, full of uncertainties and contaminations.
                                The gesture of desecration of the classical object is accomplished through pictorial intervention, with the use of abstract 
                                matters and forms of action painting.
                                At the same time, the portraits depicted retain their beauty and perfection, becoming contemporary and representing nothing 
                                but ourselves.
                                
                                Last exhibitions:
- Galleria Ashanti in Rome.
 - One Piece Art of Olimpia Orsini in Rome.
 - Libreria antiquaria Bocca in Milan.
 - Studio design of Dorotea koziara in Milan.
 - Studio design De Masi in Rome.
 - Casa d'Asti DAM in Rome.
 - May 2014 Dotyk, galleria Ashanti in Rome.
 - March 2014 Con occhi di donna, studio design of Dorotea Koziara in Milan.
 

